SCOTT E. ANDERSON
COMBINED CREDITS
DIRECTOR - VISUAL EFFECTS SUPERVISOR - PRODUCER
sea@theocean.com
+1 310-827-6470
imdb.me/scotteanderson
Werewolves, 2022-2024, Visual Effects Supervisor, Co-Producer
Completed/Release Date - December 2024
Broken Bird, 2023-2024, Co-Producer (Catalyst Studios)
Opening Film - FrightFest London – August 2024
Follow Me, 2023-2024, Co-Producer (Catalyst Studios)
Verified Target, 2023-2024, Co-Producer (Catalyst Studios)
Alix, 2023-2024, Co-Producer (Catalyst Studios)
Go for Grandma, 2023, Co-Producer (Short)
Gigi & Nate, 2021-22, Co-Producer, Visual Effects Supervisor, 2nd Unit Director
Longlisted – 2023 Academy Award for Best Visual Effects
Kanye West: 24, 2021, Visual Effects Supervisor (Music Video)
Clouds, 2020, Visual Effects Supervisor (Main Title Sequence)
Dr. Sleep, 2020, Visual Effects Supervisor
Sweetheart, 2019, Visual Effects Supervisor
Imprisoned, 2018, Visual Effects Designer
Juveniles, 2018, Executive Producer, Visual Effects Designer
CASE 10-86, 2017, Demo Short, Creative Director (Zeiss Cinematography)
Lemony Snicket's A Series of Unfortunate Events, 2017, Visual Effects Supervisor (Digital Sandbox)
The Shallows, 2016, Visual Effects Supervisor
Point Break, 2015, Visual Effects Supervisor (Digital Sandbox)
Muhammad, 2014, Visual Effects Supervisor
Chasing Mavericks, 2012, Visual Effects Supervisor, Additional Unit Director
Parental Guidance, 2012, Visual Effects Senior Staff (Digital Sandbox)
Won’t Back Down, 2012, Visual Effects Senior Staff (Digital Sandbox)
The Adventures of Tintin, 2011, Visual Effects Supervisor (WETA Digital)
The Sentient, 2011, Co-Producer (short)
Avatar, 2009, Visual Effects Designer, Consultant (WETA Digital)
Film Won - 2010 Academy Award for Best Visual Effects
The Lovely Bones, 2009, Visual Effects Supervisor (WETA Digital)
Superman Returns, 2006, Visual Effects and Imaging Supervisor (Digital Sandbox)
Film Nominated - 2007 Academy Award for Best Visual Effects
King Kong, 2005, Visual Effects Supervisor (WETA Digital)
Film Won - 2006 Academy Award for Best Visual Effects
Sky Captain and the World of Tomorrow, 2004, Senior Visual Effects Supervisor
Shortlisted – 2005 Academy Award for Best Visual Effects
I, Robot, 2004, Visual Effects Consultant (un-credited)
Iron Jawed Angels, 2004, Visual Effects Supervisor
Mill Valley Film Festival, 2003 – Director, Commercial and Theatrical Trailer
Mill Valley Film Festival, 2003 – Photographer, Film Festival Poster and Program
Cinema/Verité, 2001, Director, Writer, Producer (short)
Hollow Man, 2000, 2nd Unit Director, Senior Visual Effects Supervisor
Nominated - 2001 Academy Award for Best Visual Effects
Won - 2001 Saturn Award for Best Visual Effects
The Ninth Gate, 2000, Senior Visual Effects Supervisor (Sony Pictures Imageworks)
Starship Troopers, 1997, Spaceship Visual Effects Supervisor
Nominated - 1998 Academy Award for Best Visual Effects
Won - 1998 Saturn Award for Best Visual Effects
Nominated – 1998 Golden Satellite Award for Outstanding Visual Effects
The Double, 1997, Visual Effects Supervisor (film abandoned)
James and The Giant Peach, 1996, Visual Effects/Animation Supervisor (Sony Pictures Imageworks)
Babe, 1995, Unit Director, Visual Effects Supervisor (B Camera Operator - un-credited)
Won - 1996 Academy Award for Best Visual Effects
Nominated - 1996 British Academy Award for Special Effects
Die Hard with a Vengeance, 1995, Visual Effects Supervisor (Sony Pictures Imageworks)
Tall Tale, 1995, Visual Effects Supervisor - Twister Sequence (Sony Pictures Imageworks)
The Pagemaster, 1994, Visual Effects Supervisor - Live Action Sequences
Look Who’s Talking Now, 1993, Visual Effects Supervisor
Memoirs of an Invisible Man, 1992, Animator (Industrial Light & Magic)
Star Trek VI: The Undiscovered Country, 1991, Computer Graphics Plate Supervisor (ILM)
Terminator 2: Judgment Day, 1991, Computer Graphics Sequence Supervisor (ILM)
Film Won - 1991 Academy Award for Best Visual Effects
The Hunt for Red October, 1990, FX Animation and Software Development (ILM)
The Abyss, 1989, Technical Director (ILM)
Film Won - 1989 Academy Award for Best Visual Effects